For the purpose of this Not So Perfect Ten, I have decided to focus on the best ten pieces of music featuring buses. This may include direct or indirect reference to buses in its lyrics, song title, or instrumental pieces.
- Magic Bus, The Who (1967);
- Little in the Way of Sunshine, Half Man Half Biscuit (2008);
- Last Bus, The Salford Jets (1979);
- The Bus to Crookes, The Human League (1995);
- Tour Jacket with Detachable Sleeves, Half Man Half Biscuit (1995);
- Cardiac Arrest, Madness (1982);
- Tie a Yellow Ribbon Round the Old Oak Tree, Dawn (1973);
- The Wheels on the Bus, Mad Donna (2002);
- Lucky Stars, Dean Friedman (1978);
- Bus Stop, The Hollies (1965).
First and foremost is a more obvious entry; The Who’s Magic Bus. There is no reference to defective services nor high bus fares, just a straightforward plea to board their Magic Bus. Both The Who’s tune and Magic Bus played a part in the early years of bus deregulation. The first Magic Bus service began on the 26 October 1986 in Glasgow. Using an AEC Routemaster in an early version of the Stagecoach livery, Brian Souter launched Magic Bus’ cheap and cheerful service taking fares whilst dressed in a rabbit suit!
The Who tune was adapted for a GM Buses advert. Shown in the run-up to deregulation in the Granada region, it cheerfully announced the dawn of GM Buses, ‘picking you up tomorrow as usual’. What happened on deregulation day and the day after seemed to be opposite. On the same day was the first televised Manchester Derby game, resulting in a sub-40,000 attendance (at the time, the lowest ever at Maine Road). The lure of Brian Moore/Martin Tyler or the fear of bus deregulation chaos? You decide.
The second is a surreal piece from Half Man Half Biscuit. On their most recent album CSI:Ambleside, Little in the Way of Sunshine is peppered with references to bus routes around Shropshire. Parts of the lyrics include advisory signs seen on buses.
From Shropshire to Salford, we see a different side to bus travel immortalised in Last Bus. Written by The Salford Jets in 1979, it is a wry observation and warning on boarding night buses in Greater Manchester. Recently, this track has been reissued as part of their ‘Greatest Hits’ album ‘Manchester Boys’. Headed by Rock Radio DJ Mike Sweeney, they are well worth seeing live. I saw them perform an acoustic set at The Railway in Greenfield recently and they were great.
On the B Side of The Human League’s comeback single Tell Me When is The Bus to Crookes. This is a track about the 51 service to that part of Sheffield which begins at Gleadless Town End. At present, First South Yorkshire operates this service (please tell me if anyone knows different).
Another good bus related song also released in 1995 was Tour Jacket with Detachable Sleeves. As part of the Half Man Half Biscuit album Some Call It Godcore, the song starts well with a few friends going to a gig at the local polytechnic. That is until they find it was full of tribute acts, finishing with a bus journey from Hell, ending in an accident. There is reference to the 71 and 72 bus routes from Liverpool to Heswall via Birkenhead, operated by First Crosville.
Madness’ Cardiac Arrest is more to do with a hellish commute to work. In the narrative of this song, a time pressed commuter feels frustrated by the slowness of his bus. Fearing a late arrival, he gets wound up, hence the “I wish this bus would get a move on; driver’s taking his time”. It almost reminds of some of my bus based commutes from Hell in Greater Manchester. At least he had a conductor (as seen in the video) aboard his AEC Routemaster rather than a flustered driver trying to balance promptness with encapsulating weekly or monthly bus tickets.
The ninth one has nothing to do with buses whatsoever. Lucky Stars by Dean Friedman was his biggest and best known UK chart hit. The conversation with uncredited vocalist Denise Marca could have been anywhere other than aboard the Hale Barns Express. Its link with buses was Greater Manchester Transport’s ‘Sounds in Motion’ experiment, as (according to anecdotal evidence; my parents) it seemed to have been the only tune played!
The purpose of GMT’s ‘Sounds in Motion’ was to generate extra advertising revenue whilst keeping its passengers aboard the top deck entertained. 8 minutes per hour was allocated to advertising, with 52 minutes for music. If anybody else could remember ‘Sound in Motion’ (and as to whether they played anything by Supertramp or any other artiste(s) besides Dean Friedman), feel free to comment.
My final one is Bus Stop by the Hollies which is a gentle observational piece of waiting for a bus by the great Graham Gouldman of 10cc fame. It paints a picture of the boredom endured by passengers at Ashton bus station whose 346 is forever delayed by the schools traffic.
Any further suggestions are welcome. Cushty!
S.V., 17 July 2009